The Age of Innocence by Edith Wharton

Fiction — audiobook. Read by Lorna Raver. Blackstone Audio, 2008. Originally published 1920. 11 hours, 46 minutes. Library copy.

Winner of the Pulitzer Prize for Literature (the first ever awarded to a woman), Wharton’s novel follows a young lawyer, Newland Archer, as he moves about the elitist social circle of New York City and prepares to marry May Welland. Before Newland and May’s engagement is announced as the triumph it is, Countess Ellen Olenska, May’s cousin, returns to Manhattan introducing scandal to their circle for Ellen has separated from her abusive husband. Ellen’s disillusionment with the society in which she, Newland, and May were raised begins to trouble Newland, and he finds attraction to Ellen growing even as society champions Newland and May’s marriage as the pinnacle of good breeding and fortune.

Society – its conformity, ritual, and rules – is the main character of this novel and Wharton’s presentation of society rather than the characters of Newland, May, or Ellen is the thought-provoking aspect of this novel. Without society’s rigid structure, Newland would not worry about upsetting the status quo by following his heart, May would not entrap (for lack of a better word) her husband consigning both her and their children to life filled with resentment, and Ellen would not consider trading away separation from her abusive husband as the lesser of two evils. Without society’s rigid structure, the action of the novel might be less subtle and the details not so rich.

The manipulation of society’s rigid structure by Ellen, May, and Newland to meet their individual goals twists the novel into an entirely different interpretation. At a cursory read, the novel seems to be arguing against the constraints put upon people by society. Yet, as I pondered the characters and their scant actions, the novel also demonstrates the resourcefulness and meanness (for lack of a better work) people develop and internalize when consigned to such situations. May is presented as the villain or, at the very least, culpable in Ellen and Newland’s unhappiness due to her gentle (read: stupid) nature. Yet May sees her marriage to Newland for what it is – a means for entrance into the highest echelon of society – and carves out a modicum of control in order to keep that together. She plays the few cards she has and wins, at least in society’s view.

Unfortunately, the intense focus to details rather than action works against the novel from an audiobook standpoint. It takes a tremendous amount of concentration to catch all the details, to understand exactly why Newland is so resign in the face of so much desperation, and I was forever missing what originally appeared to be minute details forcing me the rewind again and again. The narrator, Lorna Raver, was also very easy to tune out – whether this is due to the intonation of her voice or the structure of the novel, I cannot ascertain. Oh, how I wish I had read rather than listened to this novel so as not to taint my appreciation.

The Classics Club:

I read this book for the Classics Club, which challenges participants read and discuss fifty or more books considered to be classics within a five year period. My personal goal for this project is to read seventy-five books in three years ending on August 15, 2017. You can find out more information by checking out my introductory post, project post, or spreadsheet of titles.

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